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南宋‧龍泉窯‧翠青五管瓶 - Shaped Vessel (1127-1279)
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   南宋‧龍泉窯‧翠青五管瓶 - Shaped Vessel (1127-1279)
   摘自 天下文壇   畢泠  2005-05-19 20:42
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發表於: 星期日 三月 20, 2005 11:41 am
文章主題: 南宋‧龍泉窯‧翠青五管瓶 - Shaped Vessel (1127-1279)

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南宋/龍泉窯/翠青五管瓶
Five-spouted vessel in emerald green glaze (1127-1279)

[img]http://www.npm.gov.tw/ch/3_pic/010106/p03c.jpg[/img]

南宋/龍泉窯/翠青五管瓶 (1127-1279)
高12.4公分 面徑13公分 足徑7.2公分

 
寬矮式小口瓶,口圓,蕈狀脣緣外翻,直頸,寬斜肩,腹下微斂,圈足。肩上立
有五個細直圓管,管內中空,與腹相通。腹壁削刻重瓣上仰的蓮瓣紋。翠青色厚
釉,下半身滿佈紋片,蓮瓣中稜突起處成淺白色的「出筋」現象。胎色灰,足緣
露胎,成橘紅色。造形優美,相似的作品也見於四川遂寧南宋中期的窖藏和韓國
新安海底的元代沉船中。

龍泉窯的釉色,以帶翠綠的粉青色調最廣受好評。南宋時期,一方面因供應南方
官民的需用,一方面因政府鼓勵海外市舶貿易,因此產量遽增,在今龍泉縣、麗
水縣附近形成跨越八個縣的大窯系,而福建沿海各窯場也爭相襲仿,產品遍及
韓、日、琉球、東南亞乃至非洲東岸。其細膩的作品,胎色灰白堅緻,釉質滋潤
肥厚,靜謐溫和,宛如上乘的美玉。

此種肩上豎立數個圓管的唇口瓶,有以為是燭台,有稱為花插的,其用途尚難斷
定;但龍泉地區自北宋起便常在墓中出現多管造型的器皿,似為墓葬中做為
「穀倉」意涵的用器。本件五管瓶或受此種多管瓶造型習慣啟發,然其既見於窖
藏和沉船中,則顯然應為生活用品。

撰稿/蔡玫芬
..............................................................................................................


[b]Five-spouted vessel in emerald green glaze [/b]

Lung-ch'uan ware, Southern Sung (1127-1279) period
Height: 12.4 cm, top diameter: 13 cm, foot diameter: 7.2 cm


This broad short vessel has small round mouth that folds outward at the
lip in a manner resembling a mushroom.

The straight neck connects with the wide, oblique shoulder of the vessel.

The lower part of the body collects slightly at the circular foot.

Five rectilinear tubes rise from the neck and open into the main body
of the piece.

Petals have been carved into the sides of the body in the fashion of
an upturned lotus flower.

The thick emerald glaze is richly lined at the lower half of this piece,
producing soft white "veins" at the raised edges of the lotus petals.

The gray underbody, exposed at the foot, has turned a reddish-orange.

Vessels resembling this exquisitely shaped piece have been recovered from
a middle-period Southern Sung storage vault in Suining county, Szechwan
province and from a Yuan dynasty boat that sank in the Shinhan Sea of
Korea.

The glaze of Lung-chuan ware has been widely praised for its emerald
greenish hue.

In the Southern Sung period, production of Lung-chuan ware rapidly
expanded to meet the demand of the officials and people in southern
China and in response to government encouragement of foreign trade.

Wares of this type were produced by large networks of kilns in eight
counties neighboring modern-day Lungchuan and Lishui counties.

Kilns in the coastal regions of Fukien province also turned out imitations
in great volume.

Lung-chuan wares could be found in Korea, Japan, the Ryukyu Islands,
Southeast Asia, and even as far away as the eastern coast of Africa.

With their dense ashen-white underbody, thick unctuous glaze, and
tranquil reserve, these refined works recall the beauty of jade.

Some scholars conclude that multi-cylindered objects of this type served as
candleholders, while others propose that they were used as flower vases.

Their true function is in fact difficult to determine. Similar types of
multi-necked vessel have been excavated from graves dating back
to the Northern Sung period.

In this context, they appear to have symbolized a "granary".

Vessels of the type shown here may have derived their shape from such
funerary antecedents, though their discovery in cellars and sunken boats
indicates that they were used as objects of daily life.

* 以上,轉載自故宮博物院典藏說明,英文部分重新段落編輯。




   [ 畢泠 2005-05-19 20:46 編輯 ]
    天下文壇  天下文壇 畢泠  2005-05-19 20:42
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